Jude Rogers

Evan Dando’s chaotic, narcotic life

Katie Mitchell: ‘We should encourage high-end conceptual work’

‘Growing up in a rock star household was absolutely bananas’

‘The machine appeared in the distance, singing to itself of money’

Do we need Bookish, yet another cosy crime?

Lena Dunham’s Too Much is unfiltered, lurid – and exhausting

A manifesto for British folk culture